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The Hidden Trauma Behind This Comedy Star's Rise to Fame | Margaret Cho

The Hidden Trauma Behind This Comedy Star's Rise to Fame | Margaret Cho

Do Good Crew... · 56:31 · 8,557 plays

From the album The Person Who Believed In Me with David Begnaud

Description

Before Margaret Cho became a legendary comedian, Emmy-nominated actor, and one of the most influential voices in stand-up comedy, she was a 15-year-old kid who had just been expelled from one of San Francisco's most prestigious high schools for truancy and bad grades, with parents who had essentially given up on her. Then James Jackson, an English teacher with a Southern drawl, a speech impediment, and a vintage motorcycle, started writing notes in the margins of her essays that changed everything: A+, so great, brilliant, funny. In this deeply personal and unguarded conversation, the trailblazing comedian sits down with David Begnaud to share the story of the man who believed in her when she was just trying to blend into the walls. Margaret opens up about meeting Mr. Jackson at the School of the Arts in San Francisco, a teacher who rode a motorcycle, wore a leather jacket with cigarettes in the sleeve, and spoke like a Southern Barbara Walters. She talks about the composition book he gave her at the beginning of the year, how his handwritten encouragement in the margins reignited the excellent student she had forgotten she was, and why his gentle belief felt so tender it was almost poetic. She shares what it was like to watch him get bullied by jocks in the classroom for being gay, how that made her feel as a closeted teenager herself, and the day she and her best friend Jerry walked out of school forever after those same jocks mocked Mr. Jackson's murder. She reflects on learning decades later that Mr. Jackson had been killed by a homeless teenager he had taken in, and how court documents revealed allegations that Mr. Jackson had sexually abused the boy who killed him. There's also a raw reflection on trauma, survival, and what it means to separate the art from the artist. Margaret talks about being sexually abused by multiple people as a young girl in the 1970s and 80s, a time when young girl sexuality was disturbingly normalized, and how her parents denied it happened and still refuse to talk about it today.

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