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Questions Without Answers with Sarah Manguso

Questions Without Answers with Sarah Manguso

Our mission is to humanize healthcare and foste... · 45:08 · 2,862 plays

From the album The Nocturnists

Description

Dear Friends,What does it mean to write about illness in fragments? How can children’s questions reveal a kind of collective philosophy? On our 70th episode of Conversations, I speak with the writer Sarah Manguso, whose work moves effortlessly between memoir, aphorism, and essay.I first encountered Sarah’s writing in Two Kinds of Decay, her account of living with CIDP, a rare neurological disease. The book, composed of crystalline fragments, became a formative text for me as a young doctor-in-training. In this conversation, Sarah reflects on that early work, shares how her perspective has changed with time, and introduces her latest book Questions Without Answers, a collaboration with illustrator Liana Fink.Below you’ll find a few excerpts from our talk—on illness, writing, and the surprising wisdom of children’s voices.Warmly,Emily and The NocturnistsFavorite moments from this week’s episodeFrench Fries and Apheresis“You’re sitting there having the procedure, eating the french fries, and then you watch as the blood products actually get more greasy and fatty and filled with fat particles. They get cloudy and opaque. That always stayed with me.”Writing the First Memoir“As a younger person, writing before the memoir boom, I was asked more than once, what is a young person like you doing writing her memoirs? You’ve barely lived. And I said, it’s just a memoir of this one experience. I was only remembering one thing. In retrospect, I look at the book and think, this is just blissfully uncomplicated and clear, because that’s how my life felt at the time.”Children as Philosophy Machines“These little creatures are art machines. They’re philosophy machines. Almost supernatural, because they dwell in both worlds. My son’s mind was as interesting as the most interesting adults I knew, but with so little life experience that his questions were just bananas. When he asked, ‘When I was inside your body, did you know me? Did you want to meet me? Did I make the world?’ I thought: these are questions that deserve to be literatu

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