Mendelssohn - Symphony No. 5 in D Major "Reformation" | Orquesta Sinfónica de Madrid, Peter Maag

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🎧 Listen to the album on Spotify: https://open.spotify.com/intl-it/album/4v1NvWvfa4zld8kdS8OBsv?highlight=spotify:track:4VHSleATNnsLLMsUrKBrqf 🎵Listen to our "Best of Mendelssohn" video: https://www.youtube.com/watch?v=s6cGmS8yMxk 🎼Listen to ORA's "A Midsummer Night's Dream" live concert recording: https://www.youtube.com/watch?v=CP8vhvaUMs0 🎶Listen Angelo Martino's Complete recording of Mendelssohn's "Lieder Ohne Worde": https://www.youtube.com/watch?v=CfUjzApb6cI These recordings are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com. ☕ If you like what we do and would like to support us, you can now buy us a coffee: https://www.buymeacoffee.com/halidonmusic. Donations will go towards keeping the YouTube channel going and funding new recording sessions with our amazing team of artists. Thank you! 🙏 Mendelssohn's Fifth Symphony, nicknamed "Reformation," is one of his most historically charged works. Written in 1830 to commemorate the 300th anniversary of the Augsburg Confession, it draws on the rich tradition of Lutheran church music: the first movement quotes the Catholic "Dresden Amen," while the finale builds to a sweeping, triumphant treatment of Luther's famous chorale Ein feste Burg ist unser Gott ("A Mighty Fortress Is Our God"). Interestingly, despite being the fifth in numbering, it was actually composed before several of his other symphonies — Mendelssohn himself was dissatisfied with it and withheld it from publication, so it was only performed posthumously in 1868. The work stands apart from the rest of his symphonic output for its explicitly theological program and its almost oratorio-like solemnity, making it a fascinating window into Mendelssohn's deep engagement with his Lutheran heritage. Born Jakob Ludwig Felix Mendelssohn Bartholdy in 1809, Felix Mendelssohn is one of the most significant composers of the romantic period, managing perhaps more than anyone