
Anoushka Shankar: Creativity Is an Act of Hope
The Business of Fashion... · 24:56 · 5 505 écoutes
De l'album The Business of Fashion Podcast
Description
Anoushka Shankar has spent three decades building one of the most distinctive bodies of work in contemporary music. She has taken the sitar — an instrument rooted in centuries of North Indian classical tradition — into completely new territory, blending the ancient Hindustani raga system with electronic, flamenco and Western orchestral influences.At a time when we're bombarded — wars, looming AI risk, a constant churn of uncertainty — her music is a salve. It carries echoes of long road trips with my family, listening to her father, Ravi Shankar, play the sitar.But this is not just nostalgia; Shankar’s music is rooted in her personal journey. At BoF VOICES 2025, she explained how she has written from joy, from pain, from outrage — and in each case, the impulse to release something into the world is inseparable from the belief that it will matter to someone. Every act of creation is an act of hope.“I believe that any creative act is a hopeful act, because we wouldn't send anything out into the void if we didn't have a hope and belief that it was gonna reach other people,” says Shankar. “By nature, it is about hope.”Shankar spoke about how she found her way back to music after prolonged creative numbness following the pandemic, and what the ancient discipline of improvisation has taught her about adapting to a world in constant upheaval.Key Insights: Creativity is an act of hope: Shankar argues that to make anything is to believe it will reach someone. For her, the impulse to create is inseparable from the belief that it will matter. “I've written from a place of joy, from a place of pain, and from outrage about global events, but each of those times there is some shred of hope that means it's gonna make some kind of a difference to bother putting something out into the world,” she says.Small moments of presence can become a way through crisis: After the pandemic, Shankar entered a protracted period of creative silence, unable to write — caught, as she puts it, in “a period of very, very numb and debilitating pain.
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