
What “Michael” Tries to Show—or Hide
The New Yorker... · 51:24 · 3,540 plays
Mula sa album Critics at Large | The New Yorker
Paglalarawan
“Michael”—a new film, directed by Antoine Fuqua, charting Michael Jackson’s rise to fame—just had the best opening weekend in the history of bio-pics, proving that audiences are still eager to celebrate the King of Pop. The movie also ends, pointedly, before the first in a series of allegations of child sexual abuse that have tainted Jackson’s reputation ever since. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and their fellow staff writer Kelefa Sanneh consider how the unprecedented highs and horrific lows of Jackson’s life and career have made him a prism for modern ideas about stardom and power. Sanneh’s recent Profile of Fuqua details the Jackson estate’s involvement in the production, which resulted in a sanitized portrait of a deeply complex figure. Other works have assessed Jackson’s legacy more critically: the 2019 documentary “Leaving Neverland” lays out, in granular detail, the claims of two of Jackson’s accusers. “It’s just such a dissonance, seeing these two texts in such close proximity,” Fry says. “The thing with ‘Michael’ is, it doesn’t separate the art from the artist. It separates the artist from the wrongdoing entirely.” Read, watch, and listen with the critics: “Michael” (2026)Michael Jackson’s “Thriller”Michael Jackson’s “Dangerous”“The Action-Film Director Who’s Taking On Michael Jackson,” by Kelefa Sanneh (The New Yorker)“Quiet on Set: The Dark Side Of Kids TV” (2024)“I’m Glad My Mom Died,” by Jennette McCurdy“On Michael Jackson,” by Margo Jefferson“Leaving Neverland” (2019)Michael Jackson’s “Off the Wall”“Justin Bieber, Pop Music’s Fallen Angel, Rises Again at Coachella,” by Vinson Cunningham (The New Yorker) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastch
More By The New Yorker...
- 1
The Guilty Pleasure of the Heist
The New Yorker... · 2,742 plays · 52:00
- 2
From The Political Scene: The Politics of the Big Game
The New Yorker... · 9,296 plays · 40:21
- 3
The Irony and the Ecstasy of Colson Whitehead
The New Yorker... · 7,455 plays · 52:28
- 4
Who Owns the Odyssey?
The New Yorker... · 10,729 plays · 52:42
- 5
Why Earnestness is Everywhere
The New Yorker... · 7,878 plays · 54:40
- 6
Season 3, Episode 2: I Have Questions
The New Yorker... · 8,366 plays · 35:32
- 7
Louise Erdrich Reads Karen Russell
The New Yorker... · 11,489 plays · 74:53
- 8
The Met Gala, “The Devil Wears Prada 2,” and the State of Style
The New Yorker... · 7,426 plays · 56:05
- 9
Adam Levin Reads David Foster Wallace
The New Yorker... · 6,083 plays · 68:41
- 10
“DTF St. Louis” and the New Story of the Suburbs
The New Yorker... · 5,093 plays · 55:10
Baka Magustuhan Mo Rin
- 1
AlbumStavvy's World
Stavros Halkias... · 999 plays
- 2
AlbumSliim Paperz
Sliim Paperz · 5,804 plays
- 3
AlbumWorld Gone Cold Radio
4,620 plays
- 4
Albumdekk Radio
174 plays
- 5
AlbumSingle Life
Rihanna · 2,965 plays
- 6
AlbumEnzy Radio
3,622 plays
- 7
AlbumEl tiempo en otra parte
7,225 plays
- 8
AlbumDaredevil Radio
5,655 plays
- 9
AlbumHesham Hamza
Hesham Hamza · 5,745 plays
- 10
AlbumKINKY IMPY
KINKY IMPY · 5,152 plays
- 11
AlbumREAL
Zakiel · 4,775 plays
- 12
AlbumDios Cuida de Ti
Gamaliel · 10,228 plays