Old Gods of Appalachia - Part 3

الوصف

The people of Bower County have had just about enough of Polly Barrow and the boys, and decide to do something about it. This is the third and final part of our introduction to Old Gods of Appalachia. If you like what you heard, you can listen to the complete podcast — currently in its sixth season here in 2026 — on your favorite podcast app! To learn more about the show, visit oldgodsofappalachia.com This episode contains scenes of an armed mob, witchcraft practices, house fire, burns / injuries incurred from those fires, non-graphic mention of a gunshot wound, strangulation, smothering / difficulty breathing, death by blunt force, explosions, body horror, supernatural attack on a woman by a man, monster violence, ageist language (used by a villain), and death. Sensitive listeners please be advised. Written by Cam Collins and Steve Shell Special script consultant: DJ Rogers Narrated by Steve Shell Sound design by Steve Shell Produced and edited by Cam Collins and Steve Shell The voice of Polly Barrow: Tracy Johnston-Crum The voice of Granny Underwood: Stephanie Hickling-Beckman The voice of Nina Jennings: Shasparay Irvine The voice of Tobias Underwood: DJ Rogers The voice of Franklin Moses: Dr. Ray Christian Intro Music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon Blood Outro Music: “Pretty Polly” as performed by Landon Blood and John Lee Bullard and a second version performed by Stacie Sexton. Special guest voices (aka The Churchman Ghost Chorus): Cam Collins, Laura Hampton, Manda Alley Leonard, Jordan Shiveley, Kelson Stallard, Amerie Helton, Tonya Woolard, Nathan Cavicci, Jason Strength, Fiona Chamness, Colin Bulla, DL Armistead, Mortellus, Eric Daniel Pavey, Renee Hill, Grant McCracken, Dayv Cole, Terhan McDaniels, Monique Bouchard, Tyler Childers (no, not that Tyler Childers, the other one), Jékksyn Ícaro, Joshua Huntsinger, Theresa Daniels, Sarah Leary, Dan Craley, Edwin Maldanado Jr., Nikki Nelson-Hicks, Layla Cruse, Lindsey Deel with thanks and apologies to Billy Howell