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Macaron Massacre

Mayor Nash is up for reelection and I’ve been asked to furnish the sweet treats for his campaign kickoff. So when I stumble upon a corpse at the party everything predictably goes haywire. But this isn’t just any old corpse, this is a personal attack on our family. A killer is out for revenge and so am I.A baker who sees the dead. One too many suitors. And a killer. Living in Honey Hollow can be murder.Murder in the Mix is aUSA TODAYBestselling Series! Humor with a side of homicide.FromNew York Times,USA TODAY, &Wall Street Journalbestselling author, Addison Moore.CosmopolitanMagazinecalls Addison's books, "...easy, frothy fun!"This book can be enjoyed on its own without reading the other books in the series so dive on in!Includes RECIPE!My name is Lottie Lemon and I see dead people. Okay, so I rarely see dead people, mostly I see furry creatures of the dearly departed variety, who have come back from the other side to warn me of their previous owners impending doom.Mayor Nash is up for reelection and I’ve been asked to furnish the sweet treats for his campaign kickoff. So when I stumble upon a corpse at the party everything predictably goes haywire. But this isn’t just any old corpse, this is a personal attack on our family. Not to mention the fact that someone seems to be stalking Everett. Something isn’t right in Honey Hollow. It seldom is. There is only one saving grace in this chaos and it’s the fact that Nell Sawyer is back. If I have anything to say about it, she’ll be back for good—and the only way to ensure that is to let the case grow cold.Lottie Lemon has a brand new bakery to tend to, a budding romance with perhaps one too many suitors, and she has the supernatural ability to see the dead—which are always harbingers for ominous things to come. Throw in the occasional ghost of the human variety, a string of murders, and her insatiable thirst for justice, and you’ll have more chaos than you know what to do with.Living in Honey Hollow can be murder.Culinary mystery at its finest.Read more

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